From the onset, simplicity and precision are on full display in Todd Field's Tár. Opening credits scene, singing solo performance in the background. From there, an orderly beat-by-beat question-and-answer prelude slowly sets the stage for what’s to come. The sehr langsam tempo is consistent for a while until Field, serving as both director and writer, … Continue reading Berlinale: ‘Tár’ – Field’s 3rd is a Masterpiece