For decades, the name Martin Scorsese has been synonymous with the gangster film. The reputation is not unearned. On the contrary, Goodfellas, Mean Streets, and The Departed continue to find their audience as classics within the genre. Yet Scorsese's body of work falls closer to the Werner Herzog or Jonathan Demme. Unlike his contemporaries, Scorsese bent genre … Continue reading Review: ‘The Irishman’ Captures Remorse, Love, and Violence in Scorsese’s Latest Masterpiece